Music & concerts
Tanzbozen 2024 Bolzanodanza 2024
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About the event
A success of the last editions of the Festival, The Night at the Theater for toddlers (ages 5-11) returns between July 20 and 21. A unique adventure for children to be able to spend an entire night in a sleeping bag inside the Municipal Theater, safely explore with chaperones the stage from the inside and the props, participate in a recreational experience of movement and music, and upon waking up, after breakfast with new friends, see the show Riflessi. Riflessi was born from the collaboration of performer Camilla Monga and pianist Giulia Tagliavia, artists who combine their skills on the body and music to conquer childhood starting with a sound reworking on the piano of Alfredo Casella's Eleven Infantile Pieces Op. 3 and a play of shadows, lights and extensions of the body .
Over the weekend at Hotel Icaro on the Alpe di Siusi on Sunday, July 21 (noon and 4:30 p.m.), French choreographer Didier Théron presents two performances of Sacre Studies, a performance for seven extravagant creatures in inflated latex costumes. In Sacre Studies, the dancers - in their bizarre 'augmented' forms - become 'signs beyond the norm' in the space that welcomes them: they dance, adapt to situations, invent poses while interacting with the place and the viewer. They are bodies that refer as much to Paleolithic Venuses as to figures engraved on menhirs, whose reach has something sacred and untouchable on the notes of Igor Stravinsky's timeless Sacre du printemps.
Over the weekend at Hotel Icaro on the Alpe di Siusi on Sunday, July 21 (noon and 4:30 p.m.), French choreographer Didier Théron presents two performances of Sacre Studies, a performance for seven extravagant creatures in inflated latex costumes. In Sacre Studies, the dancers - in their bizarre 'augmented' forms - become 'signs beyond the norm' in the space that welcomes them: they dance, adapt to situations, invent poses while interacting with the place and the viewer. They are bodies that refer as much to Paleolithic Venuses as to figures engraved on menhirs, whose reach has something sacred and untouchable on the notes of Igor Stravinsky's timeless Sacre du printemps.
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